York Art Gallery.
On a recent family holiday to Yorkshire, I was unwillingly taken to the York Art Gallery. The only reason I didn't want to go was because the art galleries I've been to in the past have all tended to be yawn-fests. I'm quite the artistic person really.
At the Gallery they were promoting an artist called William Etty. He originates from the York area and is considered to by very talented. This particular expedition took up the whole ground floor and consisted mainly off naked ladies and naked men and naked children and, well, you get the picture. Don't get me wrong, the artwork was technically flawless, but the artwork had no emotion, no essence of the artists imagination.
| Youth on the Prowl, and Pleasure at the Helm |
So after a quick skim around down stairs (Yes. everything I just wrote was only a skim.) I wandered up stairs where there were three more rooms full of artwork, and if I may say, more interesting artwork.
| Dish by Shoji Hamada |
In a remotely smaller room next door was my favorite expedition in the gallery. It was about an artist called Austin Wright. He drew and painted but was most famously known for sculpting.
| Marquette for two rings |
The Drawings in the room were crudely drawn and abstract (not as expertly drawn as Etty's "masterpieces" downstairs...) They showed character and illusion, (which did end with me and my sister arguing over whether one painting had 1 or 2 people in it.) Wright put heart into his artwork and his sculptures were phenomenal. He used a huge amount of imagination building his sculptures, which in the end could be seen as ironic as most of the sculptures require imagination to look at. I believe it was his intention to make us wonder, and to make us imagine what his sculptures are trying to represent.
In the fourth and final room there were mixtures of different paintings and sculptures from a mixture of artists. The first Artist that caught my eye was Jules George.
The paintings were detailed and beautifully coloured, making the dark themes of war feel alive.
You could really see the feelings of the soldiers she painted and while looking at them you I felt an admiration for them.
| Into the Valley |
That's the amazing thing about Artwork, no matter what type or what era it was created, the subject of the work will be remembered long after the artist is gone. Take the Mona Liza for example. A nobody from an unknown town will forever be remembered because someone asked if he could paint her.
The Last Artist I will talk about is Susan Stockwell.
At the back corner of the room i was in was a huge cabinet consisting of this magnificent dress. Colonial Dress is made out of world maps and styled in a Victorian manner. (The British Empire could be seen in pink)
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| Colonial Dress |
The piece felt rather neglected at the back of the room. I think It needed to be brought forward so when people walk in they spot it and admire it. It was quite out of place where it was, sitting behind a 3D television sculpture - thing (which I'm not not quite sure what it was...) If it was put nearer the other side of the room where all the Victorian paintings were, I think more people would have been able to appreciate it for what it was.
That concludes my first review. How did I do?
If you have any questions, please ask.
And I hope you will keep visiting for new reviews.
Farewell.

